"The world of Twin Peaks is full of different people doing different things. Nearly one hundred individual voices are documented in the following text, and it may be challenging to keep it all straight. A brief description of the interviewee’s role is included before their first quote, and at the author’s discretion. If you require further assistance, please reference the Census of all interview participants at the conclusion of this book."
Po rewelacyjnych creepy czytadłach: Sekretny dziennik Laury Palmer i Sekrety Twin Peaks ten reportaż nie powala.
Największą gratką tu są zdjęcia.
Całość działa na zasadzie wspomnień, tak więc jest prawdziwym rarytasem dla tych, którzy uczestniczyli w całej produkcji serialu.
Dla nas, zwykłych czytelników?
Nie bardzo jest to nostalgiczny powrót do źródeł...
To tak, jakbyśmy słuchali rozmowy naszych rodziców na rocznicowym balu absolwentów:
- A pamiętasz, jak...?
- Nie, to było trochę inaczej...?
- Pamiętam tą rozmowę...
- Pamiętam, że wtedy...
No właśnie.
Rozmowy, wspomnienia aktorów, członków ekipy, twórców, autora cudnej muzyki. Tak wygląda całość, która broni się też klimatem, jakże przeze mnie kochanym)
Jednakże nie wiem, czy warto kupić ten album, no chyba że ktoś jest kolekcjonerem - wtedy warto zawsze.
Jeśli kiedykolwiek doczeka się on wydania polskiego, chyba się nie skuszę na zakup.
Czy wyjaśniony zostaje tu fenomen serialu?
Jest tak rozdział, próbujący rozgryźć ten temat.
Czy udaje się go wyjaśnić?
...
Czy trzeba go wyjaśniać?
...
MOJA OCENA: 5/10
PRZECZYTAJ FRAGMENT!
AUTHOR’S NOTE
I will always remember a quiet summer night in August of 1990. I was nine years old, playing alone in the upstairs family room with my collection of action figures. I went downstairs for a Coke and noticed my mother was on the edge of her seat, as if she was about to be metaphysically absorbed by the tiny television set on the kitchen counter.
As I inched closer to the screen, I saw a dark figure moving through the woods at night and asked my mom what she was watching. Without taking her eyes off the television, she whispered, “A girl has been killed and they are trying to find the murderer.” I didn’t dare leave the kitchen until the credits rolled.
In the following weeks, every new episode of Twin Peaks enchanted me with conflicted feelings of fear and fascination. I began hiding under the covers as I went to sleep every night, yet at school I covered my journal with drawings of ghostly giants, “Have You Seen This Man?” fliers, and a bespectacled lady cradling a log.
Almost twenty-five years later, Twin Peaks continues to fill me with wonder. I am compelled to document and preserve this brief chapter of television history that is unlike any other, before or since. It is my wish that this book brings you a little deeper into the world of Twin Peaks, a place that is both wonderful and strange.
INTRODUCTION
Countless television series have come and gone over the last sixty-five years, but few have managed to lead a profound and perplexing life as Twin Peaks. Six months before premiering on the American Broadcasting Company (ABC) in April of 1990, Twin Peaks was hyped as “the series that may change it all” on the cover of Connoisseur Magazine and a rogue wave of publicity was born.
Defying skeptical ABC executives, thirty-five million viewers tuned in for Twin Peaks’ broadcast debut. The tale of an enigmatic federal agent investigating the slaying of a small-town homecoming queen bewitched audiences and propelled the catchphrase “Who killed Laura Palmer?” into the national conversation.
A rabid cult of fans was born and a media circus stretched throughout the summer as stars of the show appeared on magazine covers and late-night talk shows with Johnny Carson and David Letterman. The frenzy became intoxicating as Twin Peaks received record-breaking Emmy nominations, won three Golden Globes, and spawned a book on the New York Times Best Seller list.
More than a routine crime procedural, Twin Peaks was capable of being melodramatic, hilarious, and downright terrifying within the span of minutes. Coffee, doughnuts, and cherry pie were consumed in mass quantities. A middle-aged woman with an eye patch was obsessed with inventing silent drape runners. A ponytailed truck driver attacked his wife with a bar of soap stuffed in a sock. Twin Peaks was unclassifiable and undefined, yet still engrossing to both viewers and critics yearning for the next generation of distinguished television.
BREAKING GROUND
This oral history begins in a nameless café in Los Angeles, California, where David Lynch and Mark Frost first met. The two cocreators of Twin Peaks were first paired in the mid-1980s to collaborate on a film adaptation of Goddess, a Marilyn Monroe biography by author Anthony Summers. Lynch was a film director regarded for his midnight-cinema mainstay Eraserhead (1977) and his feature adaptations of The Elephant Man (1980) and Dune (1984). Frost was a seasoned screenwriter who had honed his craft working with television trailblazer Steven Bochco on the lauded police drama Hill Street Blues.
Mark Frost (series cocreator and executive producer): David and I were introduced by one of our mutual agents at CAA [Creative Artists Agency]; I believe it was in 1985. I remember it being at a coffee shop or a restaurant in Westwood, but David remembers it as somewhere else. My first impression of him was that he was a guy I felt completely in tune with. He was remarkably easy to get along with and it turned out we just had very compatible sensibilities.
Ken Scherer (former chief operating officer, Lynch/Frost Productions): Mark is a storyteller and David is an artist, that’s really how I saw them perform. Whether it is David’s photography, his art, or his films – he’s very visual; he’s very experiential. He makes you experience things you would not choose necessarily to experience. He sees the world in a very different way than most minds and Mark is a classic storyteller who chose film, TV, and novels to tell his stories. So, the two of them were a perfect combination. David had this vision that Mark could grab a hold of.
Jules Haimovitz (former president and chief operating officer, Spelling Entertainment): David and Mark are two of the greatest, most talented guys I’ve met in this business. Their intelligence level is phenomenal. They were not spoiled Hollywood types in any way, shape, or form. This would be a whole different industry if everyone had their demeanor.
David was just a very creative sort who lets things roll off his back; he wasn’t temperamental at all. He lives within his own mind and is just an interesting guy. Mark was more of like a college professor. He was very academic, a strong writer with strong story and character.
Mark Frost: I think the dynamic that David and I established early on is the one we’ve always had where we learned we could just sit in a room and start talking and things start to bubble up. It’s just like making music, a jam session you could say, and it’s just a tremendous amount of fun. A lot of hard work and a lot of laughs and it’s been the same ever since [...]
***
Reflections: An Oral History of Twin Peaks examines David Lynch and Mark Frost’s legendary television series that aired on the ABC network from 1990-91. As the mystery of “Who Killed Laura Palmer?” played out on television sets across the world, another compelling drama was unfolding in the everyday lives of the show’s cast and crew. Twenty-five years later, Reflections goes behind the curtain of Twin Peaks and documents the series’ unlikely beginnings, widespread success, and peculiar collapse. Featuring first-hand accounts from series cocreator Mark Frost and cast members including Kyle MacLachlan, Joan Chen, Sherilyn Fenn, Piper Laurie, Michael Ontkean, Ray Wise, Billy Zane, and many more – Reflections explores the magic and mystique of a true television phenomenon, Twin Peaks.
KEN SCHERER ON SET WITH DAVID LYNCH, 1991
DANA ASHBROOK AND MÄDCHEN AMICK
JOAN CHEN AND DAVID LYNCH
JACK NANCE AS PETE MARTELL
MÄDCHEN AMICK AND CHRIS MULKEY ON THE SET OF THE DOUBLE R DINER
RICHARD BEYMER WITH LESLI LINKA GLATTER AS THE ONE EYED JACK’S SERVANT
KYLE MACLACHLAN AS AGENT DALE COOPER
MICHAEL HORSE, MICHAEL ONTKEAN AND KYLE MACLACHLAN
ANNETTE FABRIZI-COCCARELLI AND DAVID PATRICK KELLY
RAY WISE, GRACE ZABRISKIE AND RICHARD BEYMER
MICHAEL HORSE, KYLE MACLACHLAN, WENDY ROBIE AND EVERETT MCGILL
WARREN FROST AS DR. WILL HAYWARD
THE PACKARD SAW MILL
MARK FROST, KYLE MACLACHLAN, CARLA FABRIZI
CATHERINE COULSON AS THE LOG LADY
SHERYL LEE ATTENDS THE 1990 PRIME TIME EMMY AWARDS
JAMES MARSHALL ATTENDS THE 1990 PRIME TIME EMMY AWARDS
FRANK SILVA
PIPER LAURIE AS CATHERINE MARTELL
DAVID DUCHOVNY AS AGENT BRYSON
KIMMY ROBERTSON AS LUCY MORAN
WENDY ROBIE AS NADINE HURLEY
JOAN CHEN AND JACK NANCE
THE MISS TWIN PEAKS PAGEANT
THE GIANT SERVES AGENT COOPER A CUP OF WARM JOE
FRANK SILVA AND KYLE MACLACHLAN
AUTOR
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